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Starry Night

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“Oh great creator of being grant us one more hour to perform our art and perfect our lives” – Jim Morrison .

Whenever I see this quote, one man pops into my head and you must have guessed that from the title. Yes. It is Vincent Van Gogh and by the end of this article you would come to know how aptly the quote suits him. 


“My youth was gloomy and cold and sterile…”-Vincent Van Gogh

Vincent left the school abruptly and went back home. He worked with an art dealer in Hague. He got his training and was sent to London. He was successful and happy. He was in love and his love was rejected. He became isolated, religious and highly emotional. To get some fresh air Vincent was sent to Paris and he hated the way art was treated which he started to express to his customers. He became Van Gogh-the jobless.

The pastor years.

He worked as a missionary in borniage, a coal mining district in Belgium. It is here that Vincent became increasingly interested in drawing and sketched ordinary people and everyday scenes.

In 1880, following his brother Theo’s advice he went to Brussels’s and studied with a prominent Dutch artist in the Royal academy of art. All he said about the training at the academy ward “you have to know just to be able to draw the least thing”. He wanted to surrender himself to the god through his art. After a brief period of married life and the death of his wife adding to his loneliness he moved to nuenen to live with his parents.

The Potato eaters.

He got devoted to drawing in nuenen and sketched the weavers. In the spring of 1885 came to the art world a masterpiece, Van Gogh’s major work-The Potato eaters. At first it looks like a dirty painting with ugly models. But as you look deeper it breaks your heart As it shows the harsh reality of the peasant’s life. It tells you “that they have earned their food by honest means.” In this period he used earth colors like brown and he is supposed to have completed numerous drawings and watercolors, nearly 200 oil paintings.

The Traveling Painter.   



From then on he went to Antwerp, Paris and Arles. It was during his stay in Arles that he painted some of his more famous paintings like The Cafe Terrace on the Place du Forum, Starry Night over the Rhone and the sunflowers series to decorate his Yellow house. While in Arles he invited Paul Gauguin and they painted together for a short while.

The missing ear lobe!

On December 23 1888, he stalked Paul Gauguin cut off his own ear lobe and gifted it to a prostitute due to which he was hospitalized. 

The Saint Remy period.

Vincent committed himself to a mental hospital in Saint Remy where he used to have two small rooms (Thanks to Theo). During this period, his subjects were mostly the clinic and its garden. It was at this place that he painted his most famous painting-The starry night.

Auvers-sur-Oise.

Vincent left the clinic and went to Auvers-sur-Oise. During his 70 days stay in Auvers-sur-Oise he did 70 oil paintings. It was time for Van Gogh to leave. During his last days he painted his Wheatfield with crows which is not his last work as is generally thought.

He shot himself on a wheatfield on 27 july 1890 and died two days later. Vincent van Gogh has influenced many famous painters like Henri Matisse and other German expressionists. Some of his works are in the list of costliest paintings on the planet. The paintings stated here were just very small fractions of his works. For the complete list check the link below. And he did all these by the age of 37.

How many more paintings do you think he would have completed if he was given one more hour ?!

Author: Mr. Hayavadhan

[ He is graphic designer and explores new art forms in traditional and digital media.]

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What to draw?

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I hope you would have read the last issue about drawing, in this issue lets us dig a little further. For drawing materials many books and art teachers recommend a good quality pencil and a eraser, but some time I have seen in my experience that any thing which can make an impression can be used to draw. For example, crayons or even colored powered can be used to create wonderful and stunning drawing.

Many ask me how to draw well? This is one of the most common questions and my reply is —- Do draw well you need to lot of practice and you need to observer the surrounding, your environment, and the things around you. Do not look at things instead observer things. Study the shape, the object placements, how light fall and how its affect to the object does. Does the object get direct light or reflected light?

Before you draw subject try to visualize the final picture in your mind. The mental picture is very important. Once you are sure about the vital issue you want to incorporate start drawing. But at the same time drawing is more than art, if you feel that in your picture a subject is not rendered properly try to fine tune it , nut do not over work, it will spoil the whole art work. Stop working once you feel the right feeling is achieved

Once you decide that you want to draw, you can select any subject matter. The whole world is full of subjects and you can select any thing that attracts you. The drawing can be traditional or abstract. To help you here is a list of subjects,

  1. people
  2. abstract
  3. landscape
  4. still life
  5. flowers
  6. animals
  7. sci – fi
  8. extra terrestrial

Tone

Any drawing should have life and emotions. The subject may not be people may be still life. But still it should have life i.e., when your viewer sees a flower he/she should feel the as if the flower is true as in nature. But when it comes to abstract drawings the feel given to the audience is different. The abstract flower should have life. How you do this and how much successful is your talent. This can be trained. Tone plays an important role in any drawing. Tone gives the view a sense of depth and volume. There are various shading techniques can be implemented in a drawing. Similarly, there are many different methods to achieve tone.

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Different hues on my canvas

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Artist: K.Jayachander
Place: Chennai, India

Chennai city has seen many great artists and the world has recognized these artists. This city is a sanctuary of talented artists. It is an honor for me to share with you the memorable time, I had with the artist.Creativity is no stranger to Mr. K.Jayachander, an artist living in the traditional city of Chennai.

He is a very simple person, who is dedicated to his canvas and experiments his ideas and produces an innovative paintings. He gets his inspiration from “Indian Culture” particularly from the Sound Indian temple architecture. Once the idea is conceived in his mind, he executes it with passion, which is evident from his paintings. He is a member in the “Pallava Artists Village”, Padappai, Chennai and in Tamilnadu Arts & Crafts Improvement Association. He interacts with various artists during his exhibitions and their encouragement motivates him to produce mesmerizing paintings.

He implements various Indian motifs and composes new paintings. He is a contemporary artist who has understood modern art to its core and at the same time very humble in nature. Currently, he is working on “Stone Series”.


One of the painting in the stone series
This series is a reflection of a visit to Gudiyam caves. Man has used various tools for various activities. During the evolutionary process his tools have been modified in terms of quality and sophistication. The artist has exemplary produced this theme in all of his latest paintings.

After globalization and due to the internet revolution, art and artist have traveled million of miles virtually. And at the same time every artist around the globe is producing art work that depicts their nativity and K.Jayachander is proud to be associated with his nativity.

“I feel art is growing in the right direction and each artist reflects images of their native place”, is the thoughts of K.Jayachander when asked about his views of art through the ages.

His favorite artist are Bhupen Kakkar, Jamani Roy, Damien Hirst and El Greco and he is enthralled by their paintings. Every artist has a desired art movement and so does K.Jayachander. His much loved art movement is Impressionism and his favorite artist from that period is Paul Cézanne and adores his painting titled “Great Bathers”. This period has not only influenced the artist, but also he says that “It is an embryo for the evolution of cubism abstract art.”


Great Bathers

Many consider that a good painting should have aesthetic feel while other consider technique is more important. K.Jayachander feels that both are important. He says “Both act in harmony with the totality”. This shows how he enjoys art in his life.

K.Jayachander was born on 4th August 1949, in Chennai, India. He is the eldest son of Prof. Late R.Krishna Rao who was the principal of college of art of craft, Chennai. He has high regards towards his father and inspired him a lot. For K.Jayachander art is more that passion and every member in his family understands the true nature of art.Apart from art he has also shown interest in Indian architecture, astronomy, pop music. His all time favorite pop artist are the famous Beatles and he is an excellent guitar player.

During our discussion, he remembered his early years in 1976 when he started to paint. Begin a science graduate he is always in the look out of adventure and answers. This fire in him gave birth to a new dimension in his life. He has explored art in multi-dimensions. Being a self taught artist, he studies many great master’s paintings and has in-depth knowledge in modern art.

He has participated in many group shows and organized many solo exhibitions. He has been received the “Best Artist of Tamil Nadu” award from the prestigious State Lalit Kala Academy Govt. of Tamil Nadu, 2002

Artist K.Jayachander’s Art Gallery

Exhibitions Participated:

  • Chief Minister’s Relief Fund Art Exhibition in Madras – 1978
  • Annual exhibition of United Painter’s  Association Trichy, 1978-1979
  • North Arcot Artists Association. Vellore 1979-1980
  • “Drawings – 81 All India exhibition of original drawings organized by the Govt. Museum, Govt. College of Arts, Lalit Kala Academy, Chandigarh – 1981
  • Annual exhibitions conducted by Tamilnadu Ovia Nunkalai Kuzhu 1982,1987,1988,1989,1990,1991,1992,1997,1999,2000.
  • Tamilnadu Arts and Crafts Improvement Association Annual Exhibitions 1982,1983,1985,1986,1987,1988,1989,1990,1993,1995,1996,1998.
  • Kala Mela 1982 in New Delhi
  • Interstate Exhibition – Exhibition of Paintings, Drawings, Graphics & Sculpture from Tamilnadu to New Delhi Lalit Kala Art Gallery – 1983 organized by Tamilnadu Ovia Nunkalai Kuzhu and Sahitya Kala Parishad, New Delhi.
  • Sarala Art Gallery fair at Lalit Kala Academy, 1985
  • All India Fine Arts and Crafts Society, Annual Exhibitions 1989 and 1990.
  • Chitra Kala Parishad, Bangalore Annual Exhibition 1989
  • National Exhibition participation conducted by Lalit Kala Academy New Delhi at New Delhi in 1989, 2001.
  • Regional Art Exhibition by Lalit Kala Academy Chennai, 1992-1993
  • All India drawing Exhibition organized by the Govt. of India, Directorate of field publicity, Pondicherry and Pondicherry Ovia Nunkalai Academy – 1991.
  • Participation in the Sixth Rashtiya Kala Mela 1992-1993, Madras
  • Rashtiya Kala Mela 1997, New Delhi
  • National Youth Festival – 1998
  • Art festival, Chennai, Lalit Kala Academy 2001.

Group Shows:

  1. Alliance Francise, Bangalore – 1986.
  2. Sakshi Art Gallery, Chennai – 1987
  3. Faces – “ The Gallery”, 1989
  4. Raffic Gallery, Madurai, 1992
  5. Saha Gallery, Chennai, 1997, 1998
  6. Diverse Perception, Chennai – 1998
  7. Vinyasa Art Gallery, Chennai – 2000
  8. Cherian Art Gallery, Chennai – 2001
  9. Lakshana Art Gallery, Hyderabad – 2001
  10. Bala Gandharva Gallery, Pune – 2003
  11. Lakshana Art Gallery, Chennai – 2004
  12. Lakshmi Art Gallery, Chennai – 2004
  13. “Essence” – Ashvita Art Gallery, 2004
  14. “Dimension 4” Lakshna Gallery 2005 Hyderabad
  15. Vinyasa Gallery, Chennai 2005
  16. Jehangir Art Gallery 2006  Bombay
  17. 2007 at Coimbatore

Awards

  1. Tamil nadu oviua nunkali kuzhu award 2003

One Man Shows:

  1. Allance Francise, Chennai 1986
  2. Cholo Art Gallery, Chennai 1990
  3. Grindlays Gallery, Chennai, 1992
  4. Vinyasa Art Gallery, Chennai, 1999
  5. Lakshana Art Gallery, Bangalore, 2002
  6. Ashvita Art Gallery, Chennai 2004

Camp Participations:

  1. Art camp conducted by Tamilnadu Arts & Crafts Association at Kancheepuram – 1990
  2. Pallava Artists’ village-art camp for Kargil relief fund – 1999
  3. Pallava Artists’ village-art camp for Gujarat Earthquake relief fund – 2001
  4. Pallava Artists’ village- art camp 2002
  5. Traffic Awareness Camp, CCTP 2002
  6. Fifteen Artists Camp, Ashvitha Art Gallery, Chennai, 2003

Collection of Paintings India/Abroad:

  1. National Art Gallery, Chennai Museum
  2. State Bank of India, Nungambakkam, Chennai
  3. Chemplast India Limited
  4. State Bank of India, Staff Training Center, Chennai.
  5. US consulate General, Chennai.
  6. Interprint, New Delhi
  7. Sundaram Abex, Chennai
  8. Mrs. Rina Verghese, Chennai
  9. Mrs. Chandra Kumar, USA.
  10. “Private Art Collections”, Japan
  11. Vadi Duilis, Dario Giannoni, Italy
  12. John Carr, Australia
  13. Lilit Kala Academy, New Delhi
  14. Prof. Willey P.Kirk, U.S.A
  15. Madhu Lakshana, Chennai

Seminar Participation:

  1. Lecture on the topic given by Tamilnadu Ovia Nunkalai Kuzhu “ The Traditional Arts of India” at the Art Seminar, Madurai, 1988
  2. Painting Demonstration for members of Vaigai Artists Association, Madurai 1992
  3. “Know Your Artist”, television programme, Chennai Doordarshan.
  4. “Vaanavil”, television programme, Chennai, Doordarshan, 2002

Articles in Periodicals/Newspapers/Illustrations in books:

  1. Article on Traditional Art of Indian in the Quarterly periodical of Tamilnadu Ovia Nunkalai Kuzhu, 1988
  2. Horticulture in Ancient India”, Dr.R.N. Sampath, Rashtriya Sanskrit Sansthan, 1998
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The Magic Spectrum

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Introduction:

“There is no blue without yellow and without orange.” — Vincent Van Gogh. Color is around us and we will be always spellbound by its nature. We have used colors in our daily life from the pre historic period to the current contemporary age. Each country, culture, tradition, community, people have their own unique significance, when color is studied.

Many scientist, artists, philosophers study colors and they are amazed to see the factual nature of colors. Each time you study colors you learn something new. Here we will look into this enthralling subject.

The three primaries…

Before we study about colors we need to understand the color wheel, an astonishing and simple device to understand its true nature. There are two types of color wheel,

  1. Additive colors
  2. Subtractive colors

Additive Colors are red, blue and green. These are the three primary colors which gives a set of three secondary colors. Namely yellow, magenta and cyan.

Red + Blue = Magenta
Red + Green = Yellow
Green + Blue = Cyan

Subjective colors are Yellow, Magenta and Cyan. These are the primary colors which gives a set of three secondary colors namely, Red, Blue and Green

Yellow + Magenta = Red
Magenta + Cyan = Blue
Yellow + Cyan = Green

To understand how color theory works we need to understand the history of colors which is a nice an interesting subject we will see this in the next issue. But for now let us understand color more in detail. Generally speaking we have two different types of colors.

  1. warm colors
  2. cool colors

Warm colors are those colors which gives us a feeling of hot or temperate. Where as cools colors gives us a feeling of icy or cold. Red, brown, yellow comes under warm colors and blue, green comes under cool colors. They are many more colors that are categorized in warm and cool colors.

These primaries are very important since with these we get three secondary colors and subsequently when you add primary and secondary colors you get more colors called as tertiary color. We will look into the next section in the next issue.

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The Power To Draw.

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Introduction.

Drawing is a fantastic visual form to express your emotions and thoughts. The article explores the uniqueness of this art. Before the dawn of literature drawing was an important way by which people communicated between communities. This way of expression exists even today in the modern age. Drawing is a part of culture and tradition.


Raphael’s Drawing

Early development
It is very easy to draw but to understand how our brain understands drawing and how we develop the skill is very amazing. Drawing plays a major role in a child development and every child like to draw. They show more interest in drawing compared to other activities. 

The child develops to scribble and then slowly he/she defines shapes and size. It is a natural process, where any child can learn and master the skill. The drawing of a 2 years child does not have any proper representation of the world or any of its products. But very abstract and random strokes.

Slowly the child develops and it is quite natural that you will observer that the most common shape will be circles and by the time the child is 3 to 4 years they understand shapes and forms. In this stage the child draws his/her parents or his/her toys. The drawings are very crude.


A Childs Drawing

This evolution process in drawing is very fundamental in a child’s growth. Similar to a painting a drawing may or may not implement rules of composition. But it does attract our attention. Any drawing has to have a primary subject; subject that defines the core of the drawing. It can be a landscape or a figure drawing. In general the medium is always pencil but you can also use charcoal, pen, pastels.  The next is the materials you need to and most common is normal paper which we use for writing work but profession drawing paper is always available in the market and it do gives you excellent result. Different paper has different textures and you get excellent result due to the texture. You need a good quality rubber and a set of bold and hard pencils.

One of the most common questions my students ask me what to draw? Well, you have a lot of subjects before you to draw. You can draw the anything that you see. And most important is that your drawing should have life. Your art work should have sole in it, it should attract the attention of your viewer. Refer to Raphael image. See how the artist is capable to bring life.

The paper you use is 2D surface which has a length and breath, your drawing give birth to depth and at the same time you need to analysis the aesthetic of drawing.

Materials you need before you start

  1. A good quality drawing paper
  2. H.B. Pencil

  Once you are ready , look for simple subjects you like to draw and start drawing it do not worry about the quality of drawing, just do it. Do not worry about the lines neatness or any other issue. Just feel free and do it. The most significant point is that you should enjoy your work.

There are a few rules of composition which is important while you make a drawing. We will see those in the next issue.

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